anyway around

We decided to head up to the Catskills in anticipation of the 3 foot snowfall and celebration of a milestone for Matt. The mountains were candy coated with a topping fresh powder unseen in years.

Unfortunately for Matt he too was candy coated with a barrage of 40+ snowballs and a flaming log.

We did feed him cake to make up for our aerial assault.

The next morning we took in the view and cleared our cigar filled lungs just off the Ashokan Reservoir.

Happy Birthday Matt! Next year we will bury you...in snow.

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Photographer David Johnson shoots new ad campaign for game show Head Games on The Science Channel featuring the show's host, comedian Greg Proops.

View more of David's work here.

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Photographer Tina Rupp shoots "A Beer Geek's Guide to Asian Flavors" for the February issue of Food & Wine. 

View Tina's images from the Food & Wine shoot here.

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Gregg Delman shoots Jack White for Rolling Stone's
Artists of the Decade.

 View more of Gregg's work here.

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Photographer Steve Giralt shoots the cover for the Holiday issue of Food Network Magazine.

View more of Steve's work here.

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Photographer Tina Rupp shoots new seafood cookbook, Seafood Alla Siciliana.

View more images from Tina's cookbook shoot here.

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Photographer Steve Giralt shoots the triple cover for November's special Thanksgiving Holiday issue of
Food Network Magazine.

View the other covers and feature story here.

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Photographer David Johnson shoots legendary skater
Tony Hawk for the cover of the October issue of Entrepreneur. 

View more images from David's shoot with the master of the half-pipe here, and watch the behind the scenes video here.

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Photographers Gorman & Gorman shoot for the August issue of Field & Stream magazine.

Behind the Scenes…

In creating this image the Gorman’s photographed all the elements in studio. The headlights, engine parts, tail pipes, intakes, and decals were all model hot rod and motorcycle parts. As there was quite a bit of scale discrepancy they had to ‘build’ the final shot in post.

After capturing the foundation element (actual reel, below) each additional element is put into relative position using blocks, armature, and monofilament. This is done to keep the highlights, lens distortions and reflections consistent. A puddle of molasses was used for the “oil slick” and everything was shot in an organic photographic manner to speed up and simplify the post production process.

View the Gorman brother's Field & Stream image here.

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